Gould's Book of Fish is a marvelously imagined epic of nineteenth-century Australia -- a world of convicts and colonists, thieves and catamites, whose bloody history is recorded in a very unusual taxonomy of fish. Widely hailed as a masterpiece and a work of genius, it stands out as one of the best novels of recent years. Billy Gould was a forger and thief sentenced to life imprisonment in a penal colony in Van Diemen's Land -- now Tasmania. After six months he escaped and boarded a whaler for the Americas, but before long his adventures landed him back in prison. The prison doctor Lempriere utilizes Gould's painting talents to create an illustrated taxonomy of the country's exotic sea creatures, which Lempriere madly believes will assure his place in history and the Royal Society. Lost and re-created, destroyed and hidden, Gould's Book of Fish, an extraordinary work of fact-based fiction by Tasmanian author Richard Flanagan (Death of a River Guide) is a journey through the fringe madness of Down Under colonialism. Set during the 1830s in a hellish island prison colony off the Tasmanian coast, the novel plucks a real-life thief and prisoner, English forger William Buelow Gould, from the pages of history to act as protagonist-narrator. Through Gould's unique capacity to blend hyperbole, hyperrealism, and self-effacing honesty, the reader acquires a shockingly clear picture of daily torment on the island. Yet more remarkable is Gould's portrait of bizarre ambitions among prison authorities to further principles of art and science amidst so much misery. Key to such plans is Gould's talent as a painter and illustrator. The compound's surgeon, nursing hopes of publishing a definitive guide to the island's fish, leans heavily on Gould's ability to record the taxonomy of various species. Though Gould accommodates his masters, the manuscript, in his hands, becomes testimony to their perverse dreams of civilization and his own quick-witted survival instincts. Throughout, Flanagan never loses the well-imagined voice of Gould's candor or the character's dense descriptive powers, talents that translate into a thrilling text that reads like a blend of Melville and Burgess. --Tom Keogh